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Ensuring a sustainable and diverse mix of quality journalism remains a key political concern. To this end, the Flemish Parliament approved a resolution in March reaffirming its ambition to develop a forward-looking and media-agnostic way of supporting independent quality journalism. News brands have traditionally enjoyed high levels of trust in Belgium, especially in Flanders.

Remarkably, this year we see a drop in the score. There are recurring instances of both politicians and citizens adopting a harsher tone towards journalists.

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It is telling that the Flemish Association of Journalists has installed a complaints office for journalists who are victim of verbal and physical harassment. Statistics Population 11m Internet penetration Top Brands Changing Media.

Myriam Saduis is a French stage director living in Brussels. The artist has us hooked from the start thanks to her hypnotic, authoritative gaze, in which we can already glimpse the depths of an enigmatic childhood. Find out more or adjust your settings.

Gaëtan Bruel, un Conseiller culturel pressé

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Activate account. Last update: - older versions As of December , population coverage in France stands at Last update: - older versions In this country there are Regional multiplexes : 15 Regular Local multiplexes : 3 Trial on air.

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Last update: - older versions 40, households in eastern Paris can now receive DAB as part of a test by Towercast. Several stations offer Slideshow services SLS.

Last update: - older versions DABplus. Read more VDL is acquiring the complete broadcast product range of Somerdata - Furthermore, its farcical mode distances it from the latter Realist tradition. Yet England, England could, to some extent, be considered as a variation on the Victorian subgenre. This paper will now turn to one of the fundamental paradoxes haunting the novel. Staggeringly commercial.

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La nostalgie du politique

Horrible in many of its incidental manifestations. Manipulative in its central philosophy.

La Nostalgie de l'avenir / Cie Défilé

All these, but not. What we are looking at is almost always a replica, if that is the locally fashionable term, of something earlier. These novels are usually categorized as historiographic metafictions, a term coined by Linda Hutcheon, who defines this type of fiction as one which, by elaborating on the similitudes between historical and literary writing—or between history and story—, problematizes our conception of History, and questions the validity of historical knowledge Hutcheon , — But if there is no authentic Englishness, if any version of it is constructed, what version is to be adopted?